About
-
Archive(2)
- “Digging back into ‘Deep Storage’ and Deep Storage.”
Deep Storage: Collecting, Storing, and Archiving in Art. Munich and New York: Prestel-Verlag and Siemens Kulturprogramm, 1998, pp. 10–21. - “Douglas Blau’s Pictures: An Essay in Three Parts.”
Douglas Blau. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2008, pp. 10-28.
- “Digging back into ‘Deep Storage’ and Deep Storage.”
- Artschwager‚ Richard(2)
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Assemblage(4)
- “Speaking Photography” Jennifer Bolande, ed. Nicholas Frank. Milwaukee, Wisconsin: University of Wisconsin-Milwaukee, Institute of Visual Arts (Inova), 2011 pp. 111-115
- “Douglas Blau’s Pictures: An Essay in Three Parts.”
Douglas Blau. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2008, pp. 10-28. - “Found in Translation.”
Jess: To and From the Printed Page. New York: Independent Curators International, 2007, pp. 15-72. Excerpt pp. 15-18. - “Rauschenberg’s Photographies.”
Afterimage, 25, no. 5 (March/April 1998), p. 15.
- Black Mountain College(2)
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Blau‚ Douglas(2)
- “Digging back into ‘Deep Storage’ and Deep Storage.”
Deep Storage: Collecting, Storing, and Archiving in Art. Munich and New York: Prestel-Verlag and Siemens Kulturprogramm, 1998, pp. 10–21. - “Douglas Blau’s Pictures: An Essay in Three Parts.”
Douglas Blau. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2008, pp. 10-28.
- “Digging back into ‘Deep Storage’ and Deep Storage.”
- blps(1)
- Bolande‚ Jennifer(1)
- Breton‚ André(2)
- Chambres d'Amis(1)
- Chocolate(2)
- Chu‚ Anne(1)
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Collage(3)
- “Lives Naturally in the World of Theatre + Illusion.”
Karen Kilimnik. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, pp. 29-107. Excerpt pp. 29-41. - “Found in Translation.”
Jess: To and From the Printed Page. New York: Independent Curators International, 2007, pp. 15-72. Excerpt pp. 15-18. - “Apres Exquis” The Return of the Cadavre Exquis, ed. Jane Philbrick. New York: The Drawing Center, 1993, pp. 43-71.
- “Lives Naturally in the World of Theatre + Illusion.”
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Collecting(3)
- “Digging back into ‘Deep Storage’ and Deep Storage.”
Deep Storage: Collecting, Storing, and Archiving in Art. Munich and New York: Prestel-Verlag and Siemens Kulturprogramm, 1998, pp. 10–21. - “Exaltations/Observations”
Maira Kalman: Various Illuminations (of a Crazy World), Ingrid Schaffner; with contributions by Donna Ghelerter, Stamatina Gregory, and Kenneth E. Silver. Institute for Contemporary Art, University of Pennsylvania; Delmonico Books/Prestel, 2010, pp. 13-89. - “On Collecting.”
Pictures, Patents, Monkeys, and More…. New York: Independent Curators International, 2001, pp. 33-41. Excerpt pp. 33-36.
- “Digging back into ‘Deep Storage’ and Deep Storage.”
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Cornell‚ Joseph(4)
- “Digging back into ‘Deep Storage’ and Deep Storage.”
Deep Storage: Collecting, Storing, and Archiving in Art. Munich and New York: Prestel-Verlag and Siemens Kulturprogramm, 1998, pp. 10–21. - “Lives Naturally in the World of Theatre + Illusion.”
Karen Kilimnik. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, pp. 29-107. Excerpt pp. 29-41. - “Found in Translation.”
Jess: To and From the Printed Page. New York: Independent Curators International, 2007, pp. 15-72. Excerpt pp. 15-18. - “Portrait of an Art Dealer.”
Introduction to Julien Levy, Memoir of an Art Gallery. Boston: Museum of Fine Arts, 2003 (reprint of 1977 original), pp. ix-xxi.
- “Digging back into ‘Deep Storage’ and Deep Storage.”
- Craft(2)
- Dali‚ Salvador(2)
- Davey‚ Moyra(1)
- Dirt(2)
- Drawing(2)
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Duchamp‚ Marcel(9)
- “The Unphotographable—Notes on Photography and Dust” Art On Paper. ed. Gabriella Fanning and Faye Hirsch. New York: Fanning Publishing Company Inc., 2002, pp. 58-63
- “A Chocolate Art History.”
Chocolate!, ed. Carin Kuoni. New York: Swiss Institute, 1995, pp. 21–42. - “Digging back into ‘Deep Storage’ and Deep Storage.”
Deep Storage: Collecting, Storing, and Archiving in Art. Munich and New York: Prestel-Verlag and Siemens Kulturprogramm, 1998, pp. 10–21. - “Ensemble Encore,”
Christian Marclay: Festival (no. 2). New York: Whitney Museum of American Art, 2010, pp. 8-17. - “On Dirt.”
Dirt on Delight: Impulses That Form Clay. Philadelphia: Institute for Contemporary Art, University of Pennsylvania, 2009, pp. 25-31. - “Portrait of an Art Dealer.”
Introduction to Julien Levy, Memoir of an Art Gallery. Boston: Museum of Fine Arts, 2003 (reprint of 1977 original), pp. ix-xxi. - “Mr Expanding Universe: Isamu Noguchi’s Affiliations across the New York Art World(s) of the 1930s”
Isamu Noguchi: Sculptural Design, co-author Donna Ghelerter. Germany: Vitra Design Museum, 2002, pp. 66-106. - “Alchemy of the Gallery.”
Julien Levy: Portrait of an Art Gallery, ed. Ingrid Schaffner, Lisa Jacobs. Cambridge, Massachusetts: The MIT Press, 1998, pp. 20-59. - “In Advance of The Return of the Cadavre Exquis” The Return of the Cadavre Exquis, ed. Jane Philbrick. New York: The Drawing Center, 1993, pp. 15-23.
- Dumas‚ Marlene(1)
- Ecology(1)
- Exquisite Corpse(2)
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Feminism(7)
- “Curator’s Statement” Gloria: Another Look at Feminist Art of the 1970s. ed. Gabriella Fanning and Faye Hirsch. New York: Fanning Publishing Company Inc., 2002, pp. 58-63
- “Getting Small with Louise Fishman.”
Louise Fishman, ed. Helaine Posner. New York: Neuberger Museum of Art, Purchase College; Philadelphia: Institute for Contemporary Art, University of Pennsylvania; Delmonico Books/Prestel, 2016, pp. 184-199. - “Conversation with Joan Jonas.”
Joan Jonas: They Come to Us without a Word. Cambridge, Massachusetts: MIT List Visual Arts Center, New York, New York : Gregory R. Miller & Co., Ostfildern, Germany : Hatje Cantz Verlag, 2015, pp. 114-131. - “Slim Volume,”
Moyra Davey: Burn the Diaries [a supplement]. Philadelphia: Institute for Contemporary Art, University of Pennsylvania; Vienna, Austria: the Museum Moderner Kunst Stiftung Ludwig Wien, 2014, pp. 7-20. - “FRP: An Induction.”
Beverly Semmes: The Feminist Responsibility Project. Glassboro, New Jersey: Rowan University Art Gallery, 2011, pp. 5-6. - “On Dirt.”
Dirt on Delight: Impulses That Form Clay. Philadelphia: Institute for Contemporary Art, University of Pennsylvania, 2009, pp. 25-31. - “Snow White in the Wrong Story: Paintings and Drawings by Marlene Dumas.” Arts Magazine, March 1991, pp. 59-63.
- Fishman‚ Louise(1)
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Grotesque(3)
- “A Chocolate Art History.”
Chocolate!, ed. Carin Kuoni. New York: Swiss Institute, 1995, pp. 21–42. - “Apres Exquis” The Return of the Cadavre Exquis, ed. Jane Philbrick. New York: The Drawing Center, 1993, pp. 43-71.
- “In Advance of The Return of the Cadavre Exquis” The Return of the Cadavre Exquis, ed. Jane Philbrick. New York: The Drawing Center, 1993, pp. 15-23.
- “A Chocolate Art History.”
- Illustration(1)
- Jess(1)
- Jonas‚ Joan(1)
- Kalman‚ Maira(1)
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Kelly‚ Ellsworth(2)
- “Ellsworth Kelly”
On Paper, The Journal of Prints, Drawings, and Photography. ed. Diane Waldman. New York: Fanning Publishing Company Inc., 1997 (reprint of 1996 original), pp. 50-51 - “In Advance of The Return of the Cadavre Exquis” The Return of the Cadavre Exquis, ed. Jane Philbrick. New York: The Drawing Center, 1993, pp. 15-23.
- “Ellsworth Kelly”
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Kilimnik‚ Karen(3)
- “A Chocolate Art History.”
Chocolate!, ed. Carin Kuoni. New York: Swiss Institute, 1995, pp. 21–42. - “Digging back into ‘Deep Storage’ and Deep Storage.”
Deep Storage: Collecting, Storing, and Archiving in Art. Munich and New York: Prestel-Verlag and Siemens Kulturprogramm, 1998, pp. 10–21. - “Lives Naturally in the World of Theatre + Illusion.”
Karen Kilimnik. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, pp. 29-107. Excerpt pp. 29-41.
- “A Chocolate Art History.”
- Le Va, Barry(1)
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Levy, Julien(3)
- “Portrait of an Art Dealer.”
Introduction to Julien Levy, Memoir of an Art Gallery. Boston: Museum of Fine Arts, 2003 (reprint of 1977 original), pp. ix-xxi. - “Mr Expanding Universe: Isamu Noguchi’s Affiliations across the New York Art World(s) of the 1930s”
Isamu Noguchi: Sculptural Design, co-author Donna Ghelerter. Germany: Vitra Design Museum, 2002, pp. 66-106. - “Alchemy of the Gallery.”
Julien Levy: Portrait of an Art Gallery, ed. Ingrid Schaffner, Lisa Jacobs. Cambridge, Massachusetts: The MIT Press, 1998, pp. 20-59.
- “Portrait of an Art Dealer.”
- Marclay‚ Christian(1)
- McElheny‚ Josiah(1)
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Museum(2)
- “Wall Text.”
What Makes a Great Exhibition?, ed. Paula Marincola. Philadelphia: Philadelphia Exhibition Initiative, 2006, pp. 154-167. - “Digging back into ‘Deep Storage’ and Deep Storage.”
Deep Storage: Collecting, Storing, and Archiving in Art. Munich and New York: Prestel-Verlag and Siemens Kulturprogramm, 1998, pp. 10–21.
- “Wall Text.”
- Noguchi‚ Isamu(1)
- Nothing(1)
- Oppenheim‚ Meret(1)
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Photography(4)
- “The Unphotographable—Notes on Photography and Dust” Art On Paper. ed. Gabriella Fanning and Faye Hirsch. New York: Fanning Publishing Company Inc., 2002, pp. 58-63
- “Speaking Photography” Jennifer Bolande, ed. Nicholas Frank. Milwaukee, Wisconsin: University of Wisconsin-Milwaukee, Institute of Visual Arts (Inova), 2011 pp. 111-115
- “Alchemy of the Gallery.”
Julien Levy: Portrait of an Art Gallery, ed. Ingrid Schaffner, Lisa Jacobs. Cambridge, Massachusetts: The MIT Press, 1998, pp. 20-59. - “Rauschenberg’s Photographies.”
Afterimage, 25, no. 5 (March/April 1998), p. 15.
- Puppets(2)
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Rauschenberg‚ Robert(3)
- “Digging back into ‘Deep Storage’ and Deep Storage.”
Deep Storage: Collecting, Storing, and Archiving in Art. Munich and New York: Prestel-Verlag and Siemens Kulturprogramm, 1998, pp. 10–21. - “Reflections on Silver Studios.” The Metal Party: reconstructing a party held at the Bauhaus in Dessau on February 9, 1929 / Josiah McElheny. New York: Public Art Fund, 2002, pp. 26-30.
- “Rauschenberg’s Photographies.”
Afterimage, 25, no. 5 (March/April 1998), p. 15.
- “Digging back into ‘Deep Storage’ and Deep Storage.”
- Rhoades‚ Jason(1)
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Sculpture(2)
- “Speaking Photography” Jennifer Bolande, ed. Nicholas Frank. Milwaukee, Wisconsin: University of Wisconsin-Milwaukee, Institute of Visual Arts (Inova), 2011 pp. 111-115
- “Mr Expanding Universe: Isamu Noguchi’s Affiliations across the New York Art World(s) of the 1930s”
Isamu Noguchi: Sculptural Design, co-author Donna Ghelerter. Germany: Vitra Design Museum, 2002, pp. 66-106.
- Semmes‚ Beverly(2)
- Storage(1)
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Surrealism(7)
- “Slim Volume,”
Moyra Davey: Burn the Diaries [a supplement]. Philadelphia: Institute for Contemporary Art, University of Pennsylvania; Vienna, Austria: the Museum Moderner Kunst Stiftung Ludwig Wien, 2014, pp. 7-20. - “Portrait of an Art Dealer.”
Introduction to Julien Levy, Memoir of an Art Gallery. Boston: Museum of Fine Arts, 2003 (reprint of 1977 original), pp. ix-xxi. - “Walking the Dream,” “Locating the Dream.”
Salvador Dalí’s Dream of Venus. New York: Princeton Architectural Press, 2002, pp. 10-29, 30-34. - “Alchemy of the Gallery.”
Julien Levy: Portrait of an Art Gallery, ed. Ingrid Schaffner, Lisa Jacobs. Cambridge, Massachusetts: The MIT Press, 1998, pp. 20-59. - “Ellsworth Kelly”
On Paper, The Journal of Prints, Drawings, and Photography. ed. Diane Waldman. New York: Fanning Publishing Company Inc., 1997 (reprint of 1996 original), pp. 50-51 - “Apres Exquis” The Return of the Cadavre Exquis, ed. Jane Philbrick. New York: The Drawing Center, 1993, pp. 43-71.
- “In Advance of The Return of the Cadavre Exquis” The Return of the Cadavre Exquis, ed. Jane Philbrick. New York: The Drawing Center, 1993, pp. 15-23.
- “Slim Volume,”
- Video(1)
- Wall Text(1)
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Warhol‚ Andy(3)
- “Digging back into ‘Deep Storage’ and Deep Storage.”
Deep Storage: Collecting, Storing, and Archiving in Art. Munich and New York: Prestel-Verlag and Siemens Kulturprogramm, 1998, pp. 10–21. - “Sources.” The Puppet Show. Philadelphia: Institute for Contemporary Art, University of Pennsylvania, 2008, pp. 23-43.
- “Reflections on Silver Studios.” The Metal Party: reconstructing a party held at the Bauhaus in Dessau on February 9, 1929 / Josiah McElheny. New York: Public Art Fund, 2002, pp. 26-30.
- “Digging back into ‘Deep Storage’ and Deep Storage.”