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“Return Guest: Chambres d’Amis.”
The Exhibitionist, 7 (January 2013), pp. 5-9.

“Stuck Marble.”
Anne Chu: Animula Vagula Blandula. Kunstmuseen Krefeld, Museeum Haus Lange. Excerpt pp. 46/47-54/55, in German and English.

“A Chocolate Art History.”
Chocolate!, ed. Carin Kuoni. New York: Swiss Institute, 1995, pp. 21–42.

“Exaltations/Observations”
Maira Kalman: Various Illuminations (of a Crazy World), Ingrid Schaffner; with contributions by Donna Ghelerter, Stamatina Gregory, and Kenneth E. Silver. Institute for Contemporary Art, University of Pennsylvania; Delmonico Books/Prestel, 2010, pp. 13-89.

“Douglas Blau’s Pictures: An Essay in Three Parts.”
Douglas Blau. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2008, pp. 10-28.

“Preamble and Précis: an atomic introduction to “The Puppet Show”” The Puppet Show. Philadelphia: Institute for Contemporary Art, University of Pennsylvania, 2008, pp. 14-16.

“Lives Naturally in the World of Theatre + Illusion.”
Karen Kilimnik. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, pp. 29-107. Excerpt pp. 29-41.

“Found in Translation.”
Jess: To and From the Printed Page. New York: Independent Curators International, 2007, pp. 15-72. Excerpt pp. 15-18.

“Accumulated Vision and Violence, Barry Le Va.”
Accumulated Vision, Barry Le Va. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2005, pp. 54-83.

The phenomenon of collecting was explored through three different approaches (The Robert J. Shiffler Foundation dedicated to contemporary art, a private collection of sock monkey toys, and patent models from the National Museum of American History, Smithsonian Institution) with each participating venue contributing some local manifestation of collecting. Traveled to the Western Gallery, Western Washington […]